New to the Library's DVD Collection

We are excited to announce some new additions to our DVD collection, including many of the most popular classic and contemporary movies of all time!  Thanks to a recent anonymous donation in memory of our late President Emerita JoAnne Boyle, we have added over 30 new DVDs, replacing titles that were previously only available on VHS.




















Here are some of the highlights:

2001: A Space Odyssey
Annie Hall
Apocalypse Now
Bonnie and Clyde
The Godfather trilogy
Gone With the Wind
The Graduate
Jerry Maguire
JFK
Jurassic Park
Lawrence of Arabia
Malcolm X
One Flew Over the Cuckoo's Nest
Raging Bull
Saving Private Ryan
The Shawshank Redemption
Sunset Boulevard
Titanic
West Side Story
The Wizard of Oz

As you can see from this incomplete list, there are many genres to choose from, and the donation included movies from the era of classic Hollywood all the way up through the past two decades.  Come to the library today and check out an old favorite, or discover a new one!

Thank you, anonymous donor! We hope everyone will take the opportunity to enjoy these wonderful films.

Future of our collection

As the library building moves forward into a new era, it raises questions about the future of the library's collections, as well. Collection development is affected by many, many factors, but general policies guide the decision-making. Let's take a look at the three main kinds of resources that we collect: videos, periodicals, and books.

Videos

The library is no longer supporting the VHS format. Our aging collection of tapes is degrading rapidly, and many people no longer have a VCR at home. We have recommended to division faculty that they use part of their library-purchasing budgets to replace any VHS in their subject areas with DVD or blu-ray format so the titles will last longer and be easier for everyone to view.

DVD and blu-ray are the formats that we will be collecting going forward. The faculty have been given any tapes that they still use in teaching, and students are welcome to any tapes that the faculty do not claim (make sure to have them properly withdrawn from the collection by a librarian-- don't just take them and run!).

We are looking into digital streaming and hope to add that to our collection in the future, as well.

Periodicals

While we still have a few journal titles in print, they are fewer and fewer every year. Our periodicals librarian, Judith Koveleskie, continues to switch our print journals to digital access whenever possible. All new subscriptions are acquired in electronic format only.

Check our subscription directory, Journal Finder, to locate and access the journal you need. In most cases our subscriptions are via a database collection, but in some situations we have digital access on the publisher's website if you enter via Journal Finder.

Books

We will be adding both print and electronic books for the foreseeable future. All other factors being equal, preference will go to the ebook format due to the greater accessibility, the likelihood that multiple users can view the book at the same time, and the fact that ebooks don't require physical storage and maintenance.

Watch This: The Taking of Pelham One Two Three

A bi-weekly series featuring a recommendation of a movie available in the Reeves Memorial Library DVD collection

The Taking of Pelham One Two Three (1974)
Directed by Joseph Sargent

Four men wearing glasses, fedora hats, and fake mustaches board a New York City subway train (the Pelham 123) at different stops.  Heavily armed and using code names (Mr. Blue, Mr. Green, Mr. Grey, and Mr. Brown), the men overpower the motorman and conductor, isolate a group of passengers in the front car, and disconnect it from the rest of the train.  They demand $1 million ransom from the city of New York, to be paid within one hour, or they will begin shooting one hostage every minute until the money is paid.  Their message is received by transit police Lieutenant Zachary Garber (Walther Matthau), who becomes their main contact with the authorities.  The question arises in the minds of Garber and his colleagues: how will the criminals escape from the enclosed subway tunnel?

So begins the plot of The Taking of Pelham One Two Three, a gripping, gritty, and undeniably entertaining crime thriller that remains one the most underrated American films of the 1970s.  Strong characterization and a terrific ensemble cast help to elevate the material beyond the realm of the standard heist thriller.  Matthau gives his Lieutenant Garber a sardonic, rebellious quality, showcasing the type of character that will be an unexpected delight for viewers who may only know him from his late-career Grumpy Old Men films.  One of the film's strongest points is the way it depicts the dynamics and conflicting personalities within the group of criminals: the shrewd, disciplined leader, Mr. Blue (Robert Shaw); the cold-ridden, knowledgeable Mr. Green (Martin Balsam); the overzealous, trigger-happy Mr. Grey (Hector Elizondo); and the young, stuttering Mr. Brown (Earl Hindman).

Astute viewers who have watched a fair amount of television sitcoms over the past two decades will recognize a number of familiar faces in the cast. Jerry Stiller (of Seinfeld and The King of Queens fame) portrays Garber's transit police colleague, and Doris Roberts (Marie from Everybody Loves Raymond) pops up as the mayor's wife.  Home Improvement fans will be treated to performances by Dick O'Neill (best known for playing Tim's high school shop teacher, Mr. Leonard) and Earl Hindman (next door neighbor Wilson), whose mustache-wearing Mr. Brown might lead you to think that he built an entire career out of hiding his face from audiences.

The film holds its own extremely well against contemporary crime films such as The French Connection (1971) and Dog Day Afternoon (1975), thanks to tight plotting, a welcome dose of humor, and a memorably groovy musical score by David Shire.  More than anything, though, the film is one of the truly great New York films, a depiction of the Big Apple in all of its unruly, dangerous, melting pot glory, before the era of political correctness and a cleaned up, tourist-friendly Times Square.  The characters are colorful, profane, and sarcastic, creating an effect that is, at least from a modern perspective, surprisingly endearing.

For those who are interested in seeing Walter Matthau in other roles that lie outside the realm of comedy, the library's collection also offers the crime film Charley Varrick and the cop drama The Laughing Policeman, both released theatrically in 1973.

What is compact shelving?

While our new shelving setup won't be exactly like the ones in these videos, the clips below will give  you a good idea of the kind of shelving that will be housing our collection in its new home downstairs.

As you can see, compact shelving will allow us to make sure that the space between shelves will always be exactly where we need it and never wasted where it's not. The print collection will require a much smaller building "footprint" to house the same number of books and periodicals.

The plan!

We've had a lot of questions recently about what the library is going to look like when everyone returns in the fall. While some things have been changed since these plans were created and not all of the details have ben finalized, we can give you a good idea of where everything will be and what it's going to look like.

Who's moving in? The Career & Professional Development Center, Instructional Design, the Solution Center, and the Writing Center will be joining the Library in the new learning commons.

The main floor, where most of the books and study spaces are now located, is going to be reconfigured into a more flexible and informal space that encourages conversation, collaboration, and group work. There will also be staff offices, conference rooms, and other spaces for student and faculty use. This is where you'll find the departments that are joining us in the building.

The children's room will remain on the main floor but it will be shifted down the glass wall to where the fiction collection is currently located.


The ground floor of the building will be housing the library's print collections on compact shelving (more information about that coming in a following post). The first part of the collection will be in what has been used as storage space behind Harlan Gallery, and the rest of the compact shelving will be located in the room where we previously stored the print journals.

There will be quiet study space in the old journal room, as well. The main quiet study area will be in the space that has been occupied by Harlan Gallery. We plan to have a check-out desk located there by the entrance doors from the street. These downstairs study areas will be more traditional "library" spaces to facilitate quiet, individual work.

A rough moving timeline

We've had a lot going on at Reeves over the past year, but the biggest changes are still to come! While the heavy construction work to remodel the building's main floor will be taking place over the summer, some significant steps will be happening between now and May.

The best-laid plans gang aft agley, but here are some approximate dates for the steps that will most impact the campus community:

February 28th-- 
Weeding will conclude. The books will then be "shifted" one final time to assess how many sections of shelving are still needed to hold the print collection.

March 17th-- 
Most of the library plants will need new (permanent) homes. If you are interested in adopting a plant, please contact Dr. David Stanley.

Downstairs shelving will begin going up in the former periodicals room and in the storage area behind Harlan Gallery.

April 25--
The children's room collections are closed for boxing and moving to temporary storage (more info).

April 30--
The rest of the physical collections are closed to new borrowing so it can be prepped and moved to its new location (more info).

April/May--
Library staff offices will be moved to their "summer home" in the former Harlan Gallery space.

May-August--
Renovation of the main floor of the building will take place to transform the space into a collaborative Learning Commons model (more info to follow in a few days-- stay tuned to the blog).

August--
Library staff relocates to their permanent office location on the main floor.

Stay tuned to the blog for more details and information! We will have posts going up in the next several days about the new building layout and the new shelving. As details and dates become more concrete, we will make sure to publicize them here and will link especially significant information on Griffin's Lair.

Watch This: Reeves Does Romance Right for Valentine's Day

A bi-weekly series featuring a recommendation of a movie available in the Reeves Memorial Library DVD collection

From dramatic tearjerkers to quirky comedies, here are some of the many romantic films available from the library, just in time for Valentine's Day:

Eternal Sunshine of the Spotless Mind (2004)

From the wildly inventive mind of screenwriter Charlie Kaufman (Being John Malkovich) comes this unique meditation on love and memory.  Jim Carrey steps out of his comedic comfort zone to play the solemn, heartbroken Joel, who finds out that his ex-girlfriend (Kate Winslet) had her memories of him erased, and decides to undergo the same procedure.  However, he changes his mind mid-process, and attempts to hide away some of his happiest recollections of their time together.  The film is a beguiling labyrinth, bouncing back and forth between reality and memory, but it is anchored by the brilliant, grounded performances of the two leads.  Eternal Sunshine reminds us that while love may not always last, the blissful moments will always remain with us.





Before Sunrise (1995) and Before Sunset (2004)

Before Sunrise finds American tourist Jesse (Ethan Hawke) and French student Celine (Julie Delpy) meeting by chance on a train to Vienna.  They connect immediately, and Celine accepts Jesse's invitation to spend the rest of the day and night with him, walking around Vienna before he departs the next morning.  What will happen when morning comes?  Will they ever see each other again?  The latter question is answered in Before Sunset, which finds best-selling author Jesse in Paris nearly a decade later, where he reconnects with Celine after a book signing.  They spend the day together, and clearly their bond is still strong.  Again, they are faced with the same dilemma: do they part ways at the end of the day, knowing that they seem meant to be together?  Both films are conversational in nature, but the premise never approaches dullness, thanks to terrific writing and the wonderfully lived-in performances of Hawke and Delpy.


Brief Encounter (1945)

Married housewife Laura meets married doctor Alec in a railway station cafe, where the two continue to meet every week as they gradually fall in love.  Both are tempted toward infidelity, but propriety and practicality demand that they cannot be together.  Rarely, if ever, has a film explored the theme of adultery with such thoughtfulness, sophistication, and lack of judgment.  A fair warning, though: this is a classic tearjerker, so make sure you have a box of tissues handy.  The film was directed by the great David Lean, best known for his work on large-scale epics such as Lawrence of Arabia (1962) and Doctor Zhivago (1965), and its quality is proof that he was equally adept at helming intimate dramas.







Sweet Land (2005)
This little-known gem tells the story of Inge, a spirited German mail-order bride who travels to rural Minnesota in 1920 to begin her arranged marriage to fellow immigrant Olaf, a Norwegian-born farmer.  Anti-German prejudice and a possible bank foreclosure threaten to prevent them from beginning a happy life together.  The film is a moving tribute to love and endurance in the face of hardship, but it is an equally potent work of social commentary, providing a earnest portrait of both prejudice and the immigrant experience.  Beautifully shot, and featuring nuanced performances from a talented cast (including Alan Cumming, Lois Smith, John Heard, and Ned Beatty), Sweet Land is a tender love story not to be missed.






Punch-Drunk Love (2002)
Paul Thomas Anderson's oddball romance is certainly one of the more unusual cinematic love stories from the new century.  Adam Sandler plays Barry Egan, a lonely small business owner with a heart of gold and a penchant for brief, violent outbursts, often the result of constant hounding by his overbearing sisters.  One day he meets the sweet-natured, quirky Lena (a luminous Emily Watson), and they immediately hit it off.  However, his complicated personal life threatens to derail his newfound romance.  Sandler's portrayal of Barry is a revelation, offering a more sophisticated take on the alternately violent/sweet man-child character that Sandler built his career on in films like Happy Gilmore and The Waterboy, and Jon Brion's intoxicating musical score sets the perfect tone.